Adventures That Illuminate The Transformation Of Characters Through Their Harrowing Trials, Emerging As More Resilient And Enlightened Individuals In Movies – Lewis Carroll’s 1865 novel Alice’s Adventures in Wonderland has inspired artists from Salvador Dali to Yayoi Kusama in many ways since its publication.
Although it is a children’s novel, Alice’s Adventures in Wonderland remains one of the most recognizable works of Victorian literature to date. Lewis Carroll’s 1865 book tells the story of a little girl named Alice who follows a white rabbit down a rabbit hole, leading her to Wonderland, a fantasy world full of animals and human beings. Many of the images in this novel are distinct and recognisable, characters based on suits of cards, a smoking caterpillar hook and a Cheshire cat with an evil grin. Over the years, the dream imagery presented in the novel has led artists to create their own interpretations of Carroll’s enigmatic characters.
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Although Alice in Wonderland is ubiquitous in today’s art and culture, it originated in Victorian times by a man named Charles Lutwidge Dodgson. Dodgson, better known by his pen name Lewis Carroll, published Alice’s Adventures in Wonderland in 1865 after many years of development. In 1871, he published a sequel, Through the Looking Glass. Carroll originally came up with the Alice stories to entertain the children of his family friends, the Liddells and Macdonalds. Carroll produced an original manuscript, titled Alice’s Adventures Underground, complete with hand-drawn illustrations. Many speculated that Carroll was based on Alice Liddell, a character she denied throughout her life.
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Over the years, there have been many different interpretations and theories about the world of Alice in Wonderland. Although the book is intended for children, many have pointed out that the story has a surreal, dreamlike atmosphere. Some have suggested that the story has links to Freudian theory or psychedelic drugs due to the imagery surrounding the cookies and mushrooms Alice eats during her journey. Even darker, many biographers have suggested that the novel is based on Carroll’s sexuality and exploitation of the young Alice Liddell. Although Lewis Carroll created the story and produced the earliest artwork related to it, several other artistic interpretations of the Alice story preceded these drawings.
Although it was a children’s book, the original Alice in Wonderland story appealed to many because of its dreamy and absurd nature. In 1969, the connection between Alice and Surrealism seemed clear to many, and the book publisher Random House commissioned the famous artist Salvador Dali to illustrate a special edition of the novel. This type of work was unusual for Dolly as he had previously illustrated subjects such as cookbook covers and advertisements such as the Chupa Chups logo, but this version of the Lewis Carroll classic is one of the artist’s lesser known works. Only 2,700 copies of Dali’s edition of the book were printed and sold, making it an extremely rare work.
Dolly’s version of Alice’s Adventures in Wonderland is as exciting and whimsical as one would expect, although the artist highlighted the darker aspects of the story in twelve of his heliogravures. Who stole the tarts? (1969) is one of twelve works that accompany the story and has a darker slant to Carroll’s dramatic elements with neon blues, yellows and oranges contrasted with more dramatic backgrounds. Dali animated each of Alice’s twelve figures in a different way, although his drawings remained faithful to the abstract text.
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The most recent depiction of Alice’s Adventures in Wonderland is Yayoi Kusama’s 2012 version. Much of Kusama’s work is based on the visual impressions she experienced as a child with a rare condition. In 2012, Kusama published a beautiful portrait of Alice that pays attention to the undertones of the original work. Kusama’s new take on Carroll’s children’s novel is both playful and serious and offers a new way to read and experience the story.
A Mad Tea Party (2012) is an example of color illustrations included in Kusama’s book copy. The artist’s richly textured artwork captures the whimsical playfulness of the children’s novel and highlights some of the story’s underlying undertones. Kusama’s masterful craftsmanship combines with an interesting blend of original writing to create a unique reading experience without sacrificing the story’s personality or tone.
Another famous Lewis Carroll novel by Ralph Steadman, British illustrator and political cartoonist. While many artists choose to have a whimsical or abstract approach to the story of Alice in Wonderland, Steadman chooses to use his art to alter the message and cultural references throughout the work. In 1967, Steadman released his illustrated version of the story, which is now referred to as extraordinary and outdated for the modern era.
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A key technique Steadman uses to transform Alice into a commentary on pop culture and politics is the loose interpretation of the text. Although Carroll’s original novel featured many characters such as the White Rabbit, the Mad Hatter and the Cheshire Cat, Steadman chose to create his own characters that reflected his modern world. In this version, the White Rabbit wears a bowler hat and is late for his journey, and the anthropomorphic playing cards from the original story are transformed into coal miners. Excerpts from Steadman’s version of Alice, such as Courtroom Scenes (1967), are wonderful examples of how the artist brings Lewis Carroll’s original characters into the modern age.
The 150th anniversary of Alice in Wonderland in 2015 inspired many artists to create commemorative designs and artwork. The most typical interpretation is that of British fashion designer and avant-garde icon Vivienne Westwood. Ahead of Alice’s 150th, Westwood drew inspiration from the book when creating her Autumn-Winter 2011/12 collection, using aesthetic cues from the original text and Tim Burton’s 2010 film to create striking looks. For the anniversary, Westwood decided to publish a special edition of the book with his cover design. Westwood’s version features one of its signature prints, inspired by the Harlequin character of the Italian Teatro dell’Arte.
It is not surprising that Westwood chose to create this special edition of Alice in Wonderland, considering it to be his favorite book. “The Alice books are very exciting to read,” the designer said in an interview. They make you believe that you may be in a parallel world or that the world we think we know reflects how we have been programmed to see it. As a sign of his love for the original story, Westwood also included the sequel Through the Looking Glass in the special edition.
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British contemporary artist Peter Smith takes a fascinating and unique look at Lewis Carroll’s Alice’s Adventures in Wonderland with his 2015 collection Lost Alice. Smith is no stranger to creating whimsical art aimed at children: his most famous creation is called Impasimal, which combines a zebra and a hippopotamus. Like designer Vivienne Westwood, Smith decided to create a special series of works inspired by Alice in Wonderland for the 150th anniversary in 2015. Smith wanted the work to pay homage to Carroll’s original novel, but wanted the pieces to represent a new interpretation. “It won’t be Alice,” Smith said on his website. “Instead, it should have a life of its own, with both familiar elements enjoying enough twists and turns to allow it to stand on its own two feet.”
Peter Smith’s Alice’s Adventures in Wonderland collection is a series of artworks based on a surrealist, fantastical and absurdist style. His piece A Place of Uncommon Nonsense (2015) is a perfect example of the genre of painting that can be found in the collection. The work features many familiar characters from Alice’s story: Alice herself, the Mad Hatter, the March Hare, the Cheshire Cat, the Caterpillar, the White Rabbit, and the Dormouse are all present in this interpretation of the Mad Tea Party scene. However, Peter Smith incorporates his own surrealist style and highlights the duality of Alice’s experience and identity in this whimsical illustration. While Lewis Carroll’s original work shines loud and clear, Smith’s story of Lost Alice is a good example of the deep meaning it holds in modern culture.
Elizabeth Berry BA English, Italian, and Writing Seminars Elizabeth Berry is a writer from Los Angeles, California. She holds a BA in English, Italian and Writing Seminars from Johns Hopkins University and is working on her MFA in Creative Writing at the University of St. Andrews. In his spare time, he writes articles about Italian art, culture and literature. She likes golden retriever, color fuchsia and kayaking. Is it about eldritch things that make people think about changing your body? Maybe we’re all bones living in a prison of flesh (and you can think you’re the brain if you want, but your bones are where your blood is made, and it’s made a hundred times over).
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