Cinematic Accounts Of Fearless Expeditionists Who Push Boundaries, Overcome Adversity, And Experience Thrilling Discoveries – This year’s festival is a hybrid event, allowing people, wherever they are, to enjoy a showcase of films by and about fierce and fearless leading women.
Athena Film Festival Presents (LR): “I Am Belmaya;” “The Driver;” “The Justice of the Rabbit King”; “Ida Lupino: Mr. and Miss Lupino;” “Queen of Glory”; “Great Kili”
Cinematic Accounts Of Fearless Expeditionists Who Push Boundaries, Overcome Adversity, And Experience Thrilling Discoveries
As the world changes rapidly around us, the 12th Athena Film Festival, co-founded by the Athena Center and Women and Hollywood, embraces tradition and innovation: this year’s 10-day festival, opening on 11 of March, will offer a rich, visual narrative focused on women as in previous years, but will do so in a completely new hybrid format.
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This approach allows participants to meet in person at the university from March 11-13 or view online from March 11-20. Regardless of the form of participation, festival attendees will have access to feature films, shorts and panels, with most of the programming available in both formats.
“We’re thrilled to be back on campus for the 12th Annual Athena Film Festival. I look forward to reuniting with our students, alumni, filmmakers, sponsors, and supporters, and I’m thrilled that our virtual platform still allows us to connect with viewers across the country,” said Umbreen Bhatti ’00, Constance Hess Williams ’66 Director of the Atenea Center. “Covid has forever changed the way we viewers interact with content, and with each other, and Athena’s hybrid format is our way of moving forward in this new landscape.”
This year’s lineup features a total of 35 films, including some premiering in New York and the United States. In response to the enduring popularity of shorts, the festival will feature three short programs. Ninety percent of this year’s filmmakers are people who identify as female or non-binary, with 40% of filmmakers identifying as women of color.
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The annual event that began as a weekend festival now includes screenwriting labs, funding opportunities for women writers and the annual Athena List screenwriting competition. The year-long creative development program supports female writers working on female-centric scripts.
“The Festival’s creative development program offers support and guidance from excellent mentors who are truly committed to helping you tell your story the way you want to tell it. Also, providing financial support is a huge relief for many writers, and it’s liberating to have funds earmarked to support you and your projects,” says Kelsie Mason Ramos, 2022 winner of the Chinonye Chukwu Emerging Writer Award, which a $10,000 grant to a writer who participated in the Athena Screenwriting Lab to advance her feature film project.
The former student is not new to the festival; even in the first year, Ramos worked as a volunteer. “The festival has been a source of inspiration and practical knowledge for me over the years, so it’s a great honor to be recognized by Athena,” he says.
Th Cork International Film Festival By Cork International Film Festival
In addition to the programs and films, this year’s Festival also features several question-and-answer sessions with filmmakers and reflection panels dealing with current issues. These include “Pushing Limits in a World Full of Limits: A Conversation about the Challenges of Creating Entertainment Today” (sponsored by Women in Entertainment and available March 11); a conversation about reproductive rights and the post-Roe world, moderated by Athena co-founder and reproductive justice expert Kitty Kolbert on March 12, following the New York premiere of The Janes); and “Accessibility is a right, not the latest Hollywood trend” (which aligns with Accessibility Week and will be available online starting March 1).
This year’s films emphasize the power of female storytelling. “These filmmakers are creating unique and genuine stories about women whose leadership has been questioned, dismissed or erased, women who stood up, spoke truth to power, women who empower their communities, inspire and educate, or women who simply survive, those are the stories we want to see. These are stories from Athens,” said Melissa Silverstein, Festival Co-Founder and Artistic Director.
On the opening night, the public will be entertained by the Master. Writer-director Mariama Diallo’s debut feature, Master follows three women trying to fit in at a prestigious New England university haunted not only by its racist and classist traditions, but also by something more sinister. (and maybe supernatural). The film stars Regina Hall, Zoe Renee and Amber Gray. The film will be accompanied by questions and answers with the director and screenwriter Diallo.
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In addition to news, on March 12 the festival will celebrate a classic with a free screening of Real Women Have Curves. The film, which debuted 20 years ago, stars 18-year-old America Ferrara and tells the story of a first-generation Mexican-American from East Los Angeles who finds herself caught between her own ambitions and what is expected of her culturally. . At the time of its release, it was an innovative addition to the world of Latin cinema. After the screening there will be a panel titled “
On March 13, in accordance with the Year of Science, the documentary Exposure will be released as the Alfred P. Sloan STEM Showcase film. Directed by Holly Morris, the film follows 10 young female explorers from the Arab and Western worlds, led by veteran polar explorer Felicity Aston, as they travel on a physically and emotionally demanding expedition to the North Pole. Immediately following the screening will be a panel on the everyday impacts of climate change, moderated by Assistant Professor of Environmental Science Logan Brenner.
“We are very proud to be a showcase for these remarkable stories about women in STEM fields and to create a forum for conversations that investigate and expand our understanding of science. This year is especially special because of the connection with the Year of Science”, said Victoria Lesourd, Athena’s chief of staff.
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In celebration of its US release on March 13, Ida Lupino: Gentlemen and Miss Lupino will be screened. The feature film, directed by Clara Kuperberg and Julia Kuperberg, is about the real filmmaker Ida Lupino. She was the only woman director in Hollywood in the 1940s, as well as the only woman (along with 1,300 men) in the Directors Guild. Lupino’s films dealt with women as well as controversial issues such as rape, bigamy and abortion.
Another film making its US premiere at the festival is Kili Big, which also screens on March 13. The director of the documentary, Ida Joglar, is the winner of this year’s Breakthrough Award, an honor given in partnership with Netflix to a film that is being released for the first or second time. director whose film has yet to be distributed in the US.
Is the story of a group of women who overcome what is literally a mountainous challenge: a trek to the summit of Mount Kilimanjaro.
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From the ghosts of the racist past to a brave and seemingly unlikely group of women climbing Mount Kilimanjaro, the Athena Film Festival 2022 offers a rich and varied selection of narratives that portray women at the center of history and examine some of today’s most pressing issues, such as . women’s reproductive rights and political leadership.
The festival will open with the screening of Mariama Diallo’s first feature film, Master, starring Regina Hall. Three women struggle to find their place at an elite northeastern university as old as the country. When anonymous racist attacks target a black freshman, who insists she’s being haunted by ghosts from the school’s past, each woman must determine where the real threat lies.
— which premieres in New York — is the true story of the pre-Roe V. Wade underground service, based in Chicago, for women seeking illegal, safe and affordable abortions.
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A comedy set in a working-class Dublin hair salon where the stylists become accidental vigilantes and community heroes as they take on gang members and gentrifiers who threaten their community.
Strong Female Lead is a film about Australia’s struggle with the notion of women in power. Using only archive footage from Julia Gillard’s three-year tenure, this film is an honest portrayal of the nation’s response when a woman took over the top spot.
A team of women from the Western and Arab world are trying to reach the North Pole. This unprecedented expedition navigates open waters, the specter of polar bears and temperatures of -40 degrees, in an extraordinary story of resilience and global citizenship.
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An inspiring story of rebellion, courage and hope in patriarchal Nepal. Silenced and subdued most of her life, the ignorant Belmaya takes up the movie camera to tell her story.
Ida Lupino was the only female director in Hollywood in the late 1940s. She made films about women, tackling risky subjects such as rape, bigamy and abortion. For two decades, the Directors Guild of America consisted of 1,300 men and “Miss Lupino.”
The closing screening of this year’s festival follows a group of elderly women from around the world as they attempt to climb Africa’s highest peak, Mount Kilimanjaro. The Club is proud to present 13 Club Members who will be pushing new boundaries in pursuit of discovery and a more sustainable future through The Club x PONANT Onboard Speaker Series!
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