Cinematic Accounts Of Wilderness Survivalists Who Convey The Import Of Survival Skills, Adaptability, And The Profound Revelations Of The Wild – A few months ago, we featured Seattle-based Kiliii Fish’s incredible and unique rock climbing photos. This week Kiliii completed a new series of photos he’s been working on for a long time – this time the theme is survival. The results? Nothing short of time. In this interview he explains the process and shows how he shot and edited it.
Before going to a location, Gili writes on a (pseudo) board to give him direction, making sketches of what he wants to do to get the story. This move was very important to the success of the project as he had to shoot each film in a different location and combine them together. This way he knows exactly what to do with each shot.
Cinematic Accounts Of Wilderness Survivalists Who Convey The Import Of Survival Skills, Adaptability, And The Profound Revelations Of The Wild
Kiliyi: “The ALIVE project came out of a collaboration with my friend and art director Lindsey Watkins. We were talking about telling a story using a photo that would be impossible to capture in a documentary, but very grounded in reality. I have a long history of living in the desert, and naturally it became a vision .I think Lindsey approached the idea with tremendous enthusiasm.
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I started with about a dozen storyboards and did a lot of research on Google images to make sure. Once I had a solid idea of the terrain I needed, I talked to pilot Jeff Chang about flying over Enchantments and shooting for a week with a partner. After we planned the scene, I took the whole day to shoot the model standing sans lights so I could match the direction with the scenery from the studio. That ‘pre-flight’ day, as I call it, helped a ton because it helped me realize that certain seats may or may not sit well in their composition. I then took a quick mix before taking off and put together a nice board so my crew knew what we were going to do on the actual day of the shoot. “
March 15 Geologists from Fairbanks, AK were flying indoors when a herd of raptors smashed through glass and forced them to land in the Yukon-Tanana Wilderness. The pilot managed to avoid the crash but died from his injuries in the crash, leaving the badly injured man and woman alone in the vast desert. With tens of thousands of acres of land and a cold winter to search, the chances of finding a crash site are slim.
Kili: The shooting started at the end of November. My partner and I headed to the Enchantment Lakes Wilderness in the North Cascades of Washington with a ton of outdoor gear and camera equipment. After a week of heavy snow on the mountain sides, we were able to find some awesome plates to put life on. My original idea was to bring our entire crew for a week of filming, but it soon became clear that my idea of a good time in the remote desert was going to present serious obstacles. Not everyone likes rust on a snowy mountain during the winter.
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I decided that it made sense to shoot composition – I could take the photos (multiple locations in a large panorama) myself, then shoot the talent in the studio and combine them in post-production.
That’s when the main problems became two-fold – to find the power of real emotions in my subjects, and to make all the technical details so that the composition seems natural and realistic. As it turns out, actress Alyssa was absolutely stunning in front of the camera and had the studio crew in tears. On the other hand, before making the scene images, the lighting and lighting and the exterior, the retouching, all require patience and attention to detail. “
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Kili: “Lighting the location was a lot of fun. Each scene was already drawn on the drawing board before production, so I had a good idea of what the shot would look like, so I knew where the fire and lights were. For those scenes, we came up with strobes in places and we use light patterns like fire or We tried to combine it with the sun and so on.
The most important part was showing the skill of matching well. I usually don’t find it too difficult, it’s more fun because I like to light up. However, with snow and ice, it was often a challenge to recognize subtle changes in ambient light, their direction, etc. We made some amazing observations about how light is reflected in water and ice and how the surface contrast is between medium cloud and dark sky. It’s simple but important once you put the pictures together. “
FS: The place seems to be in the middle. Where did you get the best location?
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“For outdoor scenes, I’ve shot in the Enchantment Lakes Wilderness, Snoqualmie Pass and Mount Baker in the Washington Wilderness in the Cascades Range. I couldn’t have asked for a better location in the lower 48.
The studio photos took place in my studio where I also shot the falling snow (rain machine) and the burning fire. We also shot a bush plane at the Renton airport. “
FS: Can you tell us a little about retouching? How long did it take you to collect all the pictures?
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“I think editing is a fun process and one of my favorite because it’s when your hard work comes together and you get the final image. This is where I can make creative decisions. Emphasize specific things with color, adjustments, and like a little kid in Photoshop. Destroy airplane!
Each photo took a different position because the difficulty was different – the most difficult being a plane crash. It can take up to 15 hours as I try to verify the fake news when I am sure that the information about the survivors and the damaged aircraft is clear. I worked very hard to make the images come true, and I was a very organized person to make sure that all the different parts came together. On the other hand, some videos were very easy and took an hour to review, including many videos. All scenes with smoke and fire are difficult but in reality atmospheric effects like fire and smoke are much easier than atmospheric effects like hurricanes over large areas. “
“Except for the sunrise and sunset, the shooting days outside were beautiful. My partner and I spent most of the day skiing and jumping from place to place, running hard with sore hips as the sun’s angle began to decrease. Early in the morning before the sun rose, our spirits were silent in our tent. None of us wanted to wake up when it was cold. However, there were many strange and wonderful things in this beautiful area, when we ran into some. magical opportunities, like mountain goats following us in the dark. They are known to drink salt from people’s urine, so this was always waiting nearby. A golden opportunity for photography. We found a way to use the hidden position of the goats to compare the sun in the right way, as Alice is killed and the hungry called the mountain goat.
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Both days of shooting in our studio were amazing, as special effects and prosthetics master Shawn Sheldon basically put our talent in a terrible plane crash. Andy went from being a great American to Andy’s head injury within an hour. Alyssa’s injuries actually changed a little while her story took weeks to heal. At the beginning of each day, Alyssa and Andy usually start out generally clean, then they get dirtier and they get beaten up.
Since most of the installation work involved lighting for each word, we shot the natural scenery and close-up images. Since most of the light was blocked by the snow, we turned the studio into a large white projector, and lit it to match the scenery. “
“Actually I’ve been working on close-up scenes of Adventists for a while, but I have amazing scenes in Iceland where I can see my own work. But I think my next series will be based on it. Closer.
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