Eye In The Sky Full Movie – Synopsis Through remote sensing and ground intelligence, Colonel Catherine Powell (Helen Mirren), a British military officer commanding a top-secret drone operation to capture terrorists in Kenya, discovers that the targets are planning a suicide bombing and the mission shifts from “capture” to ” murders”. But as American pilot Steve Watts (ah…
In a world full of recycled superheroes and silly empowerment comedies, we’re finally getting a movie about reality. We are surrounded by surveillance and the threat of violence, and the film asks us to assess the proper balance between freedom and security – and the amount of collateral damage necessary to maintain the latter.
Eye In The Sky Full Movie
This is intellectual, thought-provoking mainstream cinema that is in danger of disappearing. Eye in the Sky is miles above the average multiplex movie.
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A good movie that can really grab attention. The less you know beforehand, the better. The film is smart, tense, and the acting is incredible, especially Alan Rickman and Helen Mirren. It’s not a perfect movie (no movie is), but it’s perfectly tense from the first second to the last. Different people will leave it with different views of what happened or was about to happen. This makes the film perfect for a post-film discussion. It’s also nice to see a movie without an artificial villain. Instead, we see a handful of characters trying to make the decisions they’re tasked with to the best of their ability under stressful, time-constrained circumstances. We also see the consequences and consequences of their decisions.
It’s interesting to see people in the cinema disappointed by the decision, even as the film does its best to personalize the pain of war through a cute little girl. But I laughed many times. You can easily see how easy it is to make these decisions in real life without that face staring back at you. Of course, the film dealt with only a simple dilemma. Of course, the real dilemma is why we have this dilemma in the first place. Maybe they should make a movie called Money, Oil and Suicide Terrorist.
World-class acting in Eye in the Sky, a timely and tense but sometimes difficult drama set in the modern world of drone warfare.
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The tension is cooler than the military minds in the US. it. And the UK is coming together just to take part in the drone operation in Nairobi.
Of course, the problem with movies that depict the banality of anything is that they tend to be pretty banal themselves; By trying to be the exception to this rule, Eye in the Sky only confirms it.
A drone war movie makes you think there will be a lot of action scenes, a lot of soldiers, a lot of blood and gore. But this film is different – it shows how the war is fought in the boardroom by high-ranking military, cabinet members, prime ministers and presidents. It also describes a high-tech war waged with drones and surveillance equipment that can be as small as an insect while flying through the air and silently entering buildings through windows and other openings. Helen Mirren stars as Colonel Powell, who after six years of tracking extremist terrorists finally corners three of his most wanted in one building in Kenya. The original plan was to capture rather than kill, until a surveillance bug appears and shows the gruesome scene to Powell and her partners, as well as Lt. Gen. Benson (Alan Rickman) in London, who is watching the events on on screen with others. Important British politicians – Two terrorists shoot their last video before readying their explosive vests in preparation for a suicide mission. The plan to capture rather than kill has to be changed almost immediately because the military has less than an hour to unleash “hellfire” on the building before the terrorists load up their cars and head to their destination, which is likely to be tough Mol . Hellfire will kill everyone in the building as well as people in a limited perimeter around the building, a risk called “collateral damage”. To change the plan, you need quick meetings with British superiors, and since one terrorist is a US citizen, you have to interrupt the Secretary of State in China, where he is participating in a ping-pong tournament. Approvals are quickly gathered, targeted, the countdown begins, and then at the last minute, an innocent little Islamic girl sets up her table to sell bread flavor in the middle of the dangerous periphery around the building. So begins the terrifying process of figuring out how to cut back on calories to save one child’s life before about eighty people are killed at once. The process is tense, time is running out, and British politicians are very angry at the whole idea of killing a child. Classic philosophical dilemmas are presented as follows – the Russian argument that the goal of the state is the realization of the good of society, as the will of the political community and expressed by its government; And the famous philosophical “trolley bus problem,” a thought experiment where the choice is to return a train that is going to kill five people to a track where it will kill only one or do nothing. While choosing to save many instead of just one may seem plausible, no one wants to be held responsible for making such a decision. Military weapons in this film are depicted with fascinating realism. Mirren is at her best as a high-ranking military officer who wants her country’s enemies at all costs; She is close to cruelty. The late Alan Rickman, as the senior lieutenant general, perfectly conveys his calm determination to do the right thing and rule the proceedings from the conference room. He is menacing when he delivers the key line: “Never tell a soldier he doesn’t know the price of war.” And playing a Kenyan native recruited to work undercover for the British is played by the unique Barhad Abdi, who had no acting experience before starring in Captain Phillips, and is a joy to watch on screen.
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I see Pinkman in Paul, armed with a moving performance, and Snape in Rickman, sinister as ever, but this time without the half-smile on his face. Eye in the Sky director Gavin Hood was lucky. And I don’t want to be the guy who says the day is over as soon as you come up with a project. It goes without saying that he works incredibly hard and therefore succeeds in his well-established rhythm. I only say lucky or even fit for such a job because I have seen his big budget blockbuster movies that didn’t work but definitely dared to go big and created a buzz around town. And it’s actually a great combination. Usually popular movies like say ..Marvel choose stories wisely and mostly those who have excelled in making indie movies romanticize, dramatize and glorify tiny aspects, relationships, characters and core elements. It makes sense to hire such producers as the visual effects fireworks will always dazzle the audience, the only thing they need now is someone to make them care about the characters. But I’ve seen a couple of examples recently where they’ve flipped the coin of these thematic ideas. And that’s what indie films are sponsored now if some commercial cinema decides to tell a story of such importance both politically and socially. So now the tactic inherited by the producers is to keep the audience on the edge of their seats, comes in handy and makes the formal documentation interesting and juicy. Eye In The Sky continues to captivate with this effective formula. You see how direction and editing go hand in hand to create the thrill of a chase scene while staying in the same room with the same characters and the same goals. The last part, the goal that approves the film in all languages.
It raises interesting ethical and moral issues related to counterterrorism efforts in other countries and drone attacks. However, the film didn’t do much other than deal with the central dilemma, so it was too long.
Simplified propaganda for a gullible audience. The fact that drone attacks regularly kill civilians (including an entire wedding parade in Pakistan and a Reuters cameraman) means that the protection and concern for civilian life is nowhere near the level shown in the film. The amount of checking and double-checking in this film actually borders on parody, relegating the entire spectacle to other memorable American films. it. Pro-war apologists (aka propaganda).
That Eye, The Sky (1994)
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