Vintage Action Heroes: Icons Who Paved The Way For Classic Cinema – When Meiko Kaji moved from Nikkatsu to Toei in 1971, she was trying to quit her role in the company’s soon-to-be-famous ‘Roman Porn’ movie. Already gaining popularity for her roles in 1970’s Blind Woman’s Curse and Stray Cat Rock: Delinquent Girl Boss, she is confident that a new home will be her ticket to freedom.
But this is the peak of the exploitation period. The studio is based on a movie franchise created economically to attract a largely male audience away from the lure of domestic television, so Toei’s first offering to Kaji is the female lead in Prisoner #701 : Scorpion, a picture of a violent woman in prison. take a job. It is full of nudity and the female character is not well known. It is said that it was Kaji’s reluctance to do the job that convinced the company to rewrite him instead of finding a replacement.
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Kaji plays Matsu, the titular prisoner with a deadly tail. Betrayed by her ex-police lover Sugimi and raped by Yakuza gangs, she is locked in an all-female home fighting for survival while being hunted by male guards. prisoners were tortured for Matsu’s failed escape attempt.
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In one of the first scenes of the movie, we get a glimpse of why Kaji is a feminist icon. Stranded in a green rice field while being attacked by prison guards and dogs, Matsu encounters a gunman, defeats him and bravely confronts the rest of his men. looking at them. Handcuffed and locked in solitary confinement, he contemplates revenge where he can’t do it.
But this awesome opening is ruined by the silly plot. Matsu and her fellow inmate Yuki are at the escape door when Yuki suddenly starts menstruating and the two stop in their tracks. This deadly evil in good sex made them corrupt. The woman was captured and the man regained control.
“Female Prisoner #701: Scorpion is essential to understanding Meiko Kaji’s influence on powerful female characters like Princess Leia, Ellen Ripley, and Sarah Connor.”
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The movie is full of such stupidity. The women are forced to strip naked around the prison as a form of punishment, and many scenes of unexplained dialogue appear in the public shower. The dramatic dialogue between the prisoners adds little to the plot other than cheap gambling, a huge prison riot results in the women capturing several guards and taking their breasts. persecute them.
Kaji avoids most of this discrimination by incorporating his character into the plot. Matsu is from another country. He is betrayed by his opponents, abused by the guards, and abused by his fellow prisoners. It’s against the world, first-time director Shunya Ito made this clear by constantly referring to the Japanese flag.
At the end of the movie, Matsu uses his beautiful hand on the bone to connect the corrupt Sugimi to the country’s government by causing him to spew blood on his white pants. This shallow criticism of the system used by Itō can be interpreted as Kaji’s revenge for the exploitative nature of the company.
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In addition to this incredible depth, Itō does a great job of enhancing the film with colorful symbols and new dream sequences (such as the recovery and the first meeting of Matsu and Sugimi). Set in a large blue room filled with white sheets, this important film has a sense of the supernatural that heightens its potential amid the prison chaos. Another memorable scene shows Matsu lying on a bright red floor, her hair standing on end, showing her transformation as she prepares for violence.
Female Prisoner #701: Scorpion and its trilogy is an important text for understanding Meiko Kaji’s influence on powerful female characters such as Princess Leia, Ellen Ripley, and Sarah Connor. But this film about the exploitation of women in prison, like many of Kaji’s other films, is appreciated as a time capsule. Although it may have its problems, the film remains an important part in the history of female cinema.
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Over the years, the number of acts has gone from being for children to something that adults pursue, like the comedians themselves. Aside from the collectible aspect of getting a toy, many fans also appreciate the ability to display their favorite characters in all three wonderful dimensions.
Fans had to wait more than a decade for the first action figures of the exciting comic when the universe was introduced in the early 1960s. But with a few openings here, there have been new pieces to acquire since then.
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As the collection industry grew, so did the quality of the figures themselves. Program numbers also open the way for model kits, images, and replicas of all shapes and sizes. Here are highlights from 50 years of event history!
In 1972, fans finally got the line of figures they had been waiting for when MEGO released World’s Greatest Heroes. The line of 8-inch tall dolls includes characters from other companies, but most importantly: Spider-Man, Hulk, Captain America, Falcon, Green Goblin, Mister Fantastic, Fireman, Girl Who Invisible, Thing, Lizard, Iron Man, Thor. Unfortunately, the company went out of business after 10 years, but fans didn’t have to wait long for more powerful toys!
In the 1980s, movie and toy lines often teamed up with comic book companies to establish partnerships. With 1984’s SUPER HEROES SECRET WARS, the comic book industry took a page from the playbook and established the Secret Wars toy line with Mattel. In addition to two 4.5-inch action figures that come with lenticular shields, the line spans the globe by offering playsets, motorcycles, gliders, helicopters, and the iconic Doom Roller. Doctor Doom, Dr. Octopus, Kang, Magneto, Wolverine, Hobgoblin, Daredevil, Baron Zemo, and Black Costume Spider-Man all make their debut in this classic line.
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In 1990, the toy franchise was transferred to Kenner, which led to the Super Heroes series that spanned a decade. Spider-Man, Captain America, Hulk, Doctor Doom, Daredevil, Punisher, Doctor Octopus, Silver Surfer, Iron Man, Thor, Green Goblin, Venom, Annihilus, Deathlok, Invisible Woman, Human Channel, Fantastic Beasts, Things like , and this time the US ambassador, made the cut. This figure comes with action features and accessories that perfectly reflect the character’s abilities as shown on the page. The original Penalty game even includes a cannon! Toy Biz also expanded into other areas with talking dolls, 12 inch dolls, toys, and cars.
In addition to expanding the presence of toys from Toy Biz in the 90s, the company increased its visibility on the small screen with many loved and well-known cartoons. The X-Men, Spider-Man, Fantastic Four, Iron Man, Hulk, Silver Surfer, and the Avengers all have figures and figures to work with. The series includes heroes and villains from the shows, as well as related heroes from the movies. It’s been very successful in handing over the gangs involved in comics, from the symbiotes in Generation X to X-Men 2099, Ghost Rider, and the heavily incarcerated gang known as the Vault. Some lasted longer than others, but all gave fans 5-inch copies of some of their favorites.
In the 90s, not only did the plastic treatments expand into a variety of characters, but they also included details that collected things. Toy Biz caught on to this trend and launched Legends in 2002. In the first 15 waves of this line, Biz has completely updated its series, creating six-inch masterpieces that feature the details that moviegoers are familiar with. and love. In their book. The combination of classic representation mixed with the then new look and some visuals based on it makes it a must have collection idea. Toy Biz now introduces build-a-reading! Starting with series 9, each figure comes packaged as part of a larger toy that can be collected and assembled. Fittingly, the first person is Galactus, the world eater.
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In 2000, a new contract was signed to produce action figures from the toy giant Hasbro, which continues to this day. done by story